Gary J Submitted: 2016.06.20

Hi Mike,

Literally got the cable 20 minutes ago. Superbly well made, good construction and materials…feels like a quality item.

Read your paper on burn in first and knew that the cables need 4-500 hours or so time on them to fully become as good as they can be. My original intention was to fit RCA/XLR adapters which I bought for the purpose, plug the Dig-4 into my tuner and just leave it playing white noise.

Curious though how it sounded "out of the packet" compared to my DH Labs D-10 (with its "Ultimate" in house XLR connectors…)

Your cable is an order of magnitude better Mike, even with no burn in! What is this, some kind of Kentucky voodoo?!

Overall impression is the digital cable gets out the way of the music a LOT better. Much more music is coming through, subjectively louder but specifically:

  • Drums, brass, vocals, cymbal crashes all have a crispness and timbre I’ve not heard in my system before.
  • Soundstage is far more "real" sounding in both timbre of instruments and voices as well as scale.
  • I’m hearing details (albeit you can tell they are "smudged" and will clear up once burn in is complete) that I’ve never heard before on tracks I’ve been listening to for 20 odd years.

You can really get an idea of the potential of this cable, even now.

I run a 300B SET system with active preamp, and I’m hearing far more of what a SET amp SHOULD be doing than I was before with my previous digital cable. I was considering getting a new music streamer (My Logitech Transporter is superb, but old tech) but now not a chance! Also, I recently got some high end UK based speaker cable (Tellerium Q Ultra Black) which apparently majors in bass depth and control…never heard what they were talking about. Whats the fuss says I? Put your Dig-4 cable in and BOOM. Where did that bass come from!

The important part Mike is that all this good "hifi" stuff is secondary to the music, the tune grooves along way better than before and music is far more addictive. I was reading a book and listening to music before the cable was delivered, put the cable in and I cant concentrate on it anymore. Seriously.

All this with ZERO burn in on the cable.

As I said my original plan was to burn the cable in separately and listen to music with my existing digital XLR cable. Not any more. The Dig-4 stays in for the great improvements it brings even now. Sure, the sound will go up and down over the next few hundred hours, but who cares! J


Bravo Sir, And thanks for enhancing my musical pleasure.

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James T

Having been a high end audio store owner some years ago, when I was carrying Tara, DH Labs, Eichmann, etc. I was accustomed to a particular level of performance. Now, some ten years later and having discovered Morrow Audio, I know that there IS a truly accurate cable out there. I now use them exclusively in my system, and I've never been happier with the level of performance that my stereo can offer me. I'm thrilled to be able to sit and listen, critically and enjoyably, and just let the system do what it's supposed to do, without planning the next investment, tweak, etc. Thanks, Mike, for developing and offering us your Morrow Audio cables. James T

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Dear Mike,

I do apologise for the lateness of this email but I have been meaning to put together my feedback for quite some time now.

When I ordered your cables, it was a leap of faith for me. I have been an audiophile for well over 30 years, having bought my first system back in the mid ‘70’s. All through this time, I’ve had a curious interest in audio cables but my engineering background had moulded me into a sceptic. No matter how many reviews I read, I couldn’t convince myself that any improvements to sound quality could ever be any better than can be produced by generic but well-made cables – at least, not much better anyway. The prices which some manufacturers ask for their cables are frankly hard to justify and this fact alone has been enough to turn my attention elsewhere when looking for improvements.

My current system consists of equipment which largely ranges between 5 and 10 years old. The electronics are based on the Musical Fidelity X series from the mid-2000’s and my loudspeakers are floor-standing Spendor S8e’s. The X-ware has been interconnected via the aforementioned generic "well made" cables and the speakers are connected via generic OFC cable. I should also mention my B&W ASW1000 subwoofer which has served me well for many years. All well and good, and I have been very pleased with this system for a long time.

Recently, my curiosity got the better of me and I started asking myself what if cables do make a difference? What if I’ve been wrong and all those reviewers were not just imagining the improvements they claimed for their interconnects? This is when I started looking into available cables. As this would be more or less an experiment, I didn’t want to spend too much. I was looking for excellent quality for the lowest price – the best bang for as little buck as possible! Looking at cable prices, I was nearly at the point of giving up when I came across the Morrow Audio web site. Here I found cables I could afford and that were being offered with some very attractive discounts! I read with interest the articles about Cable Theory and Design and the Break In Process. It all made sense to me. I started reading testimonials and reviews and soon I was hooked. At these prices, I was able to take a chance, especially with the 60 day return policy.

I placed my order for three MA1 Interconnect pairs and one DIG1 Digital Interconnect and, given the currently favourable exchange rates of the AUD, I was also able to afford the two day break-in service. All I had to do now was wait for my cables to be made and delivered to my door. During this time, I reassured myself by reading more reviews and testimonials. I was happy with my decision to buy and I couldn’t wait to try the new cables.

In spite of all this, the sceptic in me was still expecting a modest improvement at best. When the cables arrived, I carefully unpacked them and gave them a good visual inspection. These were clearly extremely well constructed and used high quality connectors. I was glad that they were very flexible as this would make them very easy to connect in tight places. I removed the existing interconnects, cleaned all the RCA sockets with Kontak, and hooked in the new cables, making sure they were plugged in firmly. It was time to switch on and play some music. I prepared myself for disappointment as I reached for the nearest CD. I wasn’t expecting much especially anticipating that there would be many more hours needed for proper break-in.

Well, I have to say that nothing could have prepared me for the pleasant surprise as the music started to play. Now let me hasten to say, this was by no means an audiophile CD. As it happens, it was nothing more than Sonny and Cher’s "Little Man" from Sonny & Cher The Singles+, (CD, BR Music BS8124-2) a track recorded in the mid-60’s and definitely of very average sound quality. Nevertheless, I was immediately struck with a very clear focusing of the overall sound and especially a sense of increased clarity of the accompanying bassline. There was a very marked contrast compared to the sound I had been used to. I moved on to better recorded material and sat through an hour or so of trying different types of music. Every time, I was amazed at the difference that these new cables made. But at this point, I wasn’t trying to define the changes – I was merely allowing my ears to get acclimatised to a new sound.

As the days went by, I found myself starting to listen to the music rather than trying to hear the sound of the Morrow Audio cables. But this is not to say that I was unaware of the new sound. Take for example 10cc’s "I’m Not In Love" from The Very Best of 10CC (CD, Mercury 534 612-2). Anyone familiar with this track will know what I mean when I say that this is a very well recorded studio track with a lush, ethereal sound that can’t fail to grab your attention. I was always impressed with this track but now, it was easy to hear how the sound was built up of multiple layers and textures that by comparison, had previously sounded more like a sonic mishmash.

The first movement of CPE Bach’s Piano Concerto in D minor Wq23 (CD, Haenssler Classic CD98.639) opens with a very captivating sprightly introduction by the various string instruments, setting the scene for Michael Rische’s piano to steal the show only moments later. The sonic textures created during these fabulous few moments are magical. I had only owned this CD a few weeks but had played it several times pre Morrow Audio. I can honestly say, that with the Morrows, the music reached another level of realism. Each instrument has a place and a sound of its own, with lower bass being something special. The piano sounds fresh and exciting, conveying the full range of dynamics the music allows it to.

With these examples, and other music I played crossing many genres, it was becoming clearer to me what these cables were actually doing. I don’t think that the cables were improving the sound per se. I believe these cables are actually enablers – in other words, they enable the true sound of the other components in the system to be unleashed. That is to say, they allow you to realise the full potential of the rest of your system.

The net result is an overall improvement in accuracy and resolution of detail. Somehow, instruments sound more like they should, more vibrant, more delicate, more fragile, more raw, more dynamic, more fluid – whatever the music calls for. And as for voices, well, they sound more human, more convincing and more lifelike. Sound imaging is better defined, making it much easier to discern the position of instruments and voices within the soundstage. And all this is underpinned with a very clear bassline that’s so easy to follow and appreciate. In fact, I ended up having to re-tune my subwoofer which had obviously been previously overcompensating for this lack of bass definition.

Today, three months later, the cables are well and truly broken in and settled in my system. I won’t go into the details of how the DIG1 and the three MA1s are connected but suffice to say they form the "critical path" in the audio chain. I can’t tell which one or ones, if any, have contributed most to the improvements I described. All I know is that their combination has resulted in an improvement that was well beyond my expectation and has convinced me that cables are indeed an important part of the overall sound and presentation of any good audio system.

In my opinion, these cables are true winners and an absolute bargain. I recommend them without hesitation.

Regards, Martin

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John Batton

Hi Mike..just have to tell you that I wired my decco tube preamp with your cables i am stunned. Listening to Bob Wasserman Trios CD, at loud levels, the bass has almost made me jump up and down several times. It is midnight and maybe my electricity is better, or the combination of your DIG 1 with the VDAC has just finally worked, but I have never heard this before, and I do not partake in adult beverages or illegal smiles here thank you! I can't imagine what this will sound like when I get the SP3s in the picture! Wow!!!

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I bought a DIG1 digital cable from Mike. The cable sounds excellent in my system and was delivered promptly.

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Solid Core: Using solid core wire removes the stranding distortion found in stranded wire designs. This eliminates the smearing effect, allowing much more information to pass through.

Small Gauge: Using a proprietary small gauge wire removes the skin effect distortions that are unavoidable in larger gauge construction. You will hear things in your music that you never heard before.

Individually Insulated: Insulating each strand of wire individually allows the signal to flow unhindered instead of jumping from strand to strand. Great detail in your music is achieved. The emotion of the music comes through.